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本书收录了作者历年来发表的十篇有关汉唐视觉文化研究的论文，分为三编，即图像表征与思想意涵、图像考辨与知识检讨、图像传承与文化交融。作者透过可视的图像和固态的物质遗存，揭示其内在逻辑理路和创造动机，进而实现重构历史体验的目标。
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