Here is the first full-scale account of Schoenberg's early tonal works, a rich repertory that music historians have tended to neglect or view as transitional to a mature atonal style. Between 1893 and 1908, Schoenberg created many genuine masterworks in the genres of Lieder, chamber music, and symphonic music. This book includes detailed critical analyses of such widely admired and performed compositions asVerklärte Nacht, Gurrelieder, and the First Chamber Symphony, as well as discussions of little-known but important songs and instrumental works from the earlier years. Drawing on original manuscript sources, on Schoenberg's musical environment, on a range of analytical methods, and on Schoenberg's own theories, Frisch traces the development of technique and aesthetic across this critical fifteen-year period of the composer's career.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1993.
Here is the first full-scale account of Schoenberg's early tonal works, a rich repertory that music historians have tended to neglect or view as transitional to a mature atonal style. Between 1893 and 1908, Schoenberg created many genuine masterworks in t