The contemporary mediation between technoscience and philosophy offers overwhelming insights into the literary-critical domain of thought. This book conceptualizes an enriching engagement with questions pertaining to the notion of technology and how its blend with cultural facets makes comprehensive room for the reconstitution of the literary landscape in Atwood's science fiction (SF) novels. Ranging from the technologies of disciplinary and bio-corporeal power to theorizing gender politics of cyborgian, nomadic and humanoid bodies, from technologizing the consumption of hybrid edibles and lingual epistemology to discerning the hyperreal dimensions of archived tech-memoirs, video gaming and digital sex, the book takes a philosophical approach to technocultural studies, a newly emerging interdisciplinary methodology. It contributes to an optimal concretization of technoscientific exploration in Margaret Atwood's literary scholarship and adds to the existing field of theoretical acumen within cosmopolitan literatures.