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#1 The path of creation is different from the romantic notion of how creative work emerges out of an upwelling of passion. We unconsciously and instinctively make work that fits the preexisting formats. We work backward, creating work that fits the available venues.

#2 The room at CBGB, where some of the music I wrote was first heard, was remarkably good for sound absorption and uneven acoustic reflections. Because of the lack of reverberation, one could be fairly certain that details of one's music would be heard.

#3 The New York club was initially meant to be a bluegrass and country venue like Tootsie's Orchid Lounge in Nashville. The audience behavior was similar in both places, and the music was identical.

#4 The music and dance styles of these cultures are metaphors for the social and sexual mores of the societies they emerge from. The music perfectly suits the available niche, and it is absolutely ideally suited for this situation.