Crucifixion? Yes! a Sourcer-er's Tale of Travel and Cultural Exploration from the Sitting-Next-to-the-Window Tribe
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By Darvin Babiuk
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People's lives can change by the smallest of circumstances, turning left at an intersection instead of right, sitting beside an unknown person in a crowded lecture hall, filling in at work for a colleague while they go on vacation. My life changed when in my last semester of Graduate study, I saw an ad posted by the Japanese government to come work in the Land of the Rising Sun. The idea was that I'd have a bit of an adventure, make some money, and take the time to consider whether I wanted to get a Doctorate degree or not. Three decades years later, I was still doing it, finding a fertile niche working in post-secondary institutions and as a trainer for Oil and Gas operations in the Middle East, Central Asia and North Africa. As the Japanese proverb goes, I'd already eaten the poison, so I might as well lick the plate.
I've lived under absolute monarchies, constitutional monarchies, a number of "Presidents-for-Life," civil wars, foreign military occupations and outright terrorist dictatorships. Along the way, I've played Duck, Duck, Goose with Japanese elementary school students; become a bit of a media celebrity for no earthly reason other than the accident of my birthplace; witnessed the aftermath of a crucifixion in Yemen; seriously thought I was about to be kidnapped for ransom; had three colleagues shot dead a football field away from where I was standing; was within spitting distance of where modern drone warfare was born, and commuted to work in an armoured convoy of Toyota Land Cruisers, wearing full body armour and accompanied by up to a half dozen armed private security members.
So it began playing Duck, Duck, Goose and progressed to trying to avoid the terrorism, revolutions and uprisings.
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READER'S REPORT: An enthralling and evocative work of travel writing, showcasing the wonderful aspects of many different countries as well as their gritty underbellies. The language in this work perfectly sets the tone. It's kinetic, humorous, sometimes deeply serious, and thoroughly attention...