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It's 1927 and a bizarre trial is underway in New York. Scholars and artists are grilled at the witness stand as the court attempts to decide: can Constantin Brancusi's abstract sculptures be considered works of art? Meanwhile, back in Paris, the sculptor and his friends are full of doubts. Can Brancusi's work rival the beauty of industrial machinery? Is America really ready to take up the mantle of Modernism?
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