For many years, poet Frances Samuel worked at a museum, writing the text for exhibitions. In her new book she redefines the notion of a museum, making it infinite and wild. Like freewheeling thought experiments, Samuel' s poems blur the lines between material and immaterial, natural and supernatural, to funny and surreal effect. Objects of significance include water bears and tornadoes, ancient penguins and robots, and a paper-cut skeleton that walks off the page. In this book, a museum is the air itself, and the idea that everything we love survives. The result is continually surprising, intimate and imaginative.