The reality of increasingly apparent nestedness, fractality and universal subsumption encroaches on the westernized conception of regularity, anticipating and calling out for the literature of assemblages.

Amid the accelerating centripetal movement of the cultural space, the many realms of the global periphery suffer through aberrations completely alien in character and effect. A decrepit village in the depths of the Caucasus undergoes a painful retracement of its historicity on the backdrop of ever-escaping and dispersing global narratives. Its many characters, figures, and forms become the demonstration machinery for the unfurling of the omnipresent reality-decay project.

A work tracing spaces of religion, conquest, and filiation delineating temporalities of history, violence, and perpetual becoming. A vast geometry of ethnogenesis conceived through the looking glass of a contemporary production complex. Unbounded poetics of annihilation in the process of self-referential becoming. Finally, a deconstruction of the overbearing real in search of radical difference.