Rossini--La Gazza Ladra Overture – Viola Part for String Quartet (Intermediate/Advanced Level)
ebook ∣ Viola from the Quartet Transcription by Enrico Zullino – A Key Inner Voice in Rossini's Operatic Masterpiece · "La Gazza Ladra" overture--String Quartet
By a cura di Enrico Zullino

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This eBook features the Viola part of La gazza ladra (The Thieving Magpie), one of the most celebrated overtures by Gioachino Rossini, transcribed with precision and stylistic awareness by Enrico Zullino for string quartet. Intended for intermediate to advanced musicians, the arrangement offers a chamber music experience rich in texture and dynamic contrast.
The complete quartet includes:Violin I Violin II Viola Cello Set in the key of E major and with a duration of approximately 9 minutes, the transcription preserves the rhythmic energy and expressive character of the original orchestral score. The viola part plays a vital role in supporting harmonic transitions, counterpoint, and rhythmic interplay between upper and lower voices.
This edition includes informational pages in seven languages (English, Italian, French, German, Spanish, Portuguese, and Polish), offering historical and theoretical insights that enhance performance and interpretation. The material is suitable for academic use as well as for concert preparation.
The full score and other instrumental parts are available separately, allowing a modular approach to ensemble building. This flexibility is ideal for educators, students, and chamber musicians working individually or in ensemble settings, and supports a deeper understanding of Rossini's compositional craft.
The complete quartet includes:
This edition includes informational pages in seven languages (English, Italian, French, German, Spanish, Portuguese, and Polish), offering historical and theoretical insights that enhance performance and interpretation. The material is suitable for academic use as well as for concert preparation.
The full score and other instrumental parts are available separately, allowing a modular approach to ensemble building. This flexibility is ideal for educators, students, and chamber musicians working individually or in ensemble settings, and supports a deeper understanding of Rossini's compositional craft.