A punky, raw novel of millenial disaffection, trauma and 1960s cinema

Margot is the child of renowned musicians and the product of a particularly punky upbringing. Burnt-out from the burden of expectation and the bad end of the worst relationship yet, she leaves New York and heads to to the Pacific Northwest. She’s seeking to escape both the eyes of the world and the echoing voice of that last bad man. But a chance encounter with a dubious doctor in a graveyard, and the discovery of a dozen old film reels, opens the door to a study of both the peculiarities of her body and the absurdities of her famous family.

A literary take on cinema du corps, Stephanie LaCava’s new novel is an audaciously sexy and moving exploration of culture and connections, bodies and breakdowns.