Performing Environmentalisms examines the existential challenge of the twenty-first century: improving the prospects for maintaining life on our planet. The contributors focus on the strategic use of traditional artistic expression—storytelling and songs, crafted objects, and ceremonies and rituals—performed during the social turmoil provoked by environmental degradation and ecological collapse. Highlighting alternative visions of what it means to be human, the authors place performance at the center of people's responses to the crises. Such expression reinforces the agency of human beings as they work, independently and together, to address ecological dilemmas. The essays add these people's critical perspectives—gained through intimate struggle with life-altering force—to the global dialogue surrounding humanity's response to climate change, threats to biocultural diversity, and environmental catastrophe.

Interdisciplinary in approach and wide-ranging in scope, Performing Environmentalisms is an engaging look at the merger of cultural expression and environmental action on the front lines of today's global emergency.

Contributors: Aaron S. Allen, Eduardo S. Brondizio, Assefa Tefera Dibaba, Rebecca Dirksen, Mary Hufford, John Holmes McDowell, Mark Pedelty, Jennifer C. Post, Chie Sakakibara, Jeff Todd Titon, Rory Turner, Lois Wilcken

| Cover Title Copyright Contents List of Illustrations Introduction Part I 1. Ecoperformativity 2. The Witness Trees' Revolt 3. The Critique of Being 4. Diverse Ecomusicologies Part II 5. Singing for the Whales 6. The Drum and the Seed 7. An Ecological Approach Part III 8. Ecology, Mobility, and Music 9. Ecopoetics of Place 10. "The Sound of Freedom" Afterword Contributors Index Back cover |John Holmes McDowell is a professor of folklore and ethnomusicology at Indiana University. His books include Poetry and Violence: The Ballad Tradition of Mexico's Costa Chica. Katherine Borland is an associate professor and director of the Center for Folklore Studies at The Ohio State University. Rebecca Dirksen is an associate professor of folklore and ethnomusicology at Indiana University and the author of After the Dance, the Drums Are Heavy: Carnival, Politics, and Musical Engagement in Haiti. Sue Tuohy is an emerita senior lecturer of folklore and ethnomusicology and adjunct faculty in East Asian languages and cultures and in global and international studies at Indiana University.