Still-Life as Portrait in Early Modern Italy

ebook Baschenis, Bettera and the Painting of Cultural Identity · Visual and Material Culture, 1300 –1700

By Ornat Lev-er

cover image of Still-Life as Portrait in Early Modern Italy

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This highly original study explores how still-life paintings form a dynamic network in which artworks, musical instruments, books, and scientific apparatuses constitute links to a dazzling range of figures and sources of knowledge.
Still-Life as Portrait in Early Modern Italy