Ceramics: Art and Perception aims to set the international standard as a high quality journal dedicated to ceramic art. With a total of 120 pages, it contains approximately 25 substantial reviews, articles and regular features on a broad range of ceramics related subjects with excellent colour photographs throughout.

Ceramics Art + Perception • The best critical writing from around the world delivered directly to you

Ceramics: Art & Perception

A Note from the Editor

The Storyteller: The Woven Narratives of Natalia Dias

Ryoji Koie

Owen Rye: A Daedal Gallimaufry • Exhibition at the Barn Gallery Monsalvat Victoria March 7 – 22, 2020

Clay Today: A Group with a Vision

CLAY Talk 16 Nov, 2019 • This article is based on an address to CLAY Museum of Ceramic Art Denmark on the occasion of its 25th anniversary and the retrospective exhibitions of the museums’ founders – Betty Engholm, Nina Hole, Niels Huang, Birgit Krogh and Peter Tybjerg.

Mary Law: Forthright

Drifting Dangerously • Pharmacological Art and Simon Reece's Flotsam and Jetsam

Svend Bayer: Last Pot Standing

Fathers and Sons: The Art of Filial Piety

Take it Out of the Garden • Manningham Art Gallery, Victoria, Australia 13th Feb-6th March 2020

Firing the Phalluses: Rites of Passage in May Okafor’s Royal Gorgeousness

Black Friday

Vale Robin Welch: Potter, Painter, Printmaker 23/7/1936–5/12/2019 An Australian Connection

Redefining the Allegory, Playfulness and Aura of Ceramic Art in the Era of 3D Printing

Spontaneous Response: The Innovative Ceramics of Don Reitz Westmont Ridley-Tree Museum of Art Westmont College, Santa Barbara, USA Aug 29 – Nov 9 2019

Merran Esson: A Life of Collecting • THE STORIES BEHIND THE PRIVATE COLLECTION OF MERRAN ESSON

Hector Mavridis: Seeking the Elemental

Rachel Wood: Sentient Sturt Gallery Mittagong, Sept – Nov 2019 • THROUGH THAT CLOSENESS. HER SILENT LENS OF OBSERVATION IN COMMUNICATING WITH NATURE, HAS BECOME THE ESSENTIAL OEUVRE OF RACHEL WOOD’S SENTIENT

Wrinkles Tell the Story: The Patchwork Quilt of Life

The Appropriation of Tradition in Contemporary Korean Ceramics

The Fashionable Figures of 1916–1928 Chinese Porcelain

Industrial One of 3.0: Machine's Hand-made

Ceramics Technical

The Flavor of Fire: An Approach to Flashing in Wood-Fired Kilns

Q&A Crystal Growth in the Same Glaze Upon Cooling • Q: I am using a cone 9 reduction glaze and every firing produces lighter and darker versions of the same glaze in the kiln. What is the problem with the glaze?

Developing a Ceramic Base Engobe from locally available raw materials in Nigeria

A New Breath of Life for the Traditional Pottery of Avanos: Candle Stove – Iglo