Christmas 1953. Max Mephisto and his daughter Ruby are headlining Brighton Hippodrome, an achievement only slightly marred by the less-than-savoury support act: a tableau show of naked 'living statues'. This might appear to have nothing in common with DI Edgar Stephens' investigation into the death of a quiet flower seller, but if there's one thing the old comrades have learned it's that, in Brighton, the line between art and life - and death - is all too easily blurred...