Ethnomusicologists have journeyed from Bali to Morocco to the depths of Amazonia to chronicle humanity's relationship with music. Margaret Sarkissian and Ted Solís guide us into the field's last great undiscovered country: ethnomusicology itself. Drawing on fieldwork based on person-to-person interaction, the authors provide a first-ever ethnography of the discipline. The unique collaborations produce an ambitious exploration of ethnomusicology's formation, evolution, practice, and unique identity. In particular, the subjects discuss their early lives and influences and trace their varied career trajectories. They also draw on their own experiences to offer reflections on all aspects of the field. Pursuing practitioners not only from diverse backgrounds and specialties but from different eras, Sarkissian and Solís illuminate the many trails ethnomusicologists have blazed in the pursuit of knowledge.

A bountiful resource on history and practice, Living Ethnomusicology is an enlightening intellectual exploration of an exotic academic culture.

| Cover Title Copyright Contents Foreword Prelude Acknowledgments Introduction Part 1: Early Life and Influences Part 2: Career Trajectories Part 3: Self-Positioning in and Reflections on the Field Postlude Afterword Works Cited Index |"Living Ethnomusicology is unlike any book in its field to date. . . . Solis and Sarkissian offer an insightful ethnography of some of ethnomusicology's ethnographers, allowing readers to understand the history and nature of the discipline through a more three-dimensional, biographical lens." —Western Folklore
"It is appropriate and logical that Margaret Sarkissian and Ted Solis used interviews to create Living Ethnomusicology, a sweeping and celebratory survey of the discipline." —Oral History Review
"Living Ethnomusicology: Paths and Practices is ultimately an interesting and unique contribution to the discipline." —Journal of Folklore Research

"I've had to admit that probably the world of ethnomusicologists—not a very large world at that—in their backgrounds, their education, and even their activities of research and teaching, are probably more diverse than members of other academic endeavors. It's to these very questions, 'who are the ethnomusicologists,' and 'what are they like,' that this book, Living Ethnomusicology, provides answers in a unique and comprehensive way. And for this reason it is one of the most important books to have appeared in a long time—it identifies and defines us in a concrete way."—Bruno Nettl, from the foreword

"This is a brilliant and original idea for a volume. The book focuses on nearly all aspects of the field, including most of the possible careers. As such, it is extraordinary and makes conclusive statements about what ethnomusicology is and who ethnomusicologists are."—David Harnish, author of Bridges to the Ancestors: Music, Myth, and Cultural Politics at an Indonesian Festival
|Margaret Sarkissian is a professor of music at Smith College. She is the author of D'Albuquerque's Children: Performing Tradition in Malaysia's Portuguese Settlement. Ted Solís is a professor of music at Arizona State University. He is the editor of Performing Ethnomusicology: Teaching and Representation in World Musics.