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在《歲時紀》，春夏秋冬，象徵生生不息的循環。林文義的創作也進入一個循環，來到「寫作起點」的初衷。他寫散文、寫小說、寫詩，宛如四季邅遞，變幻深刻多彩的文字。然而林文義永不重覆自己，當《遺事八帖》拔高他散文的新境界，他卻以極驚險之反差，回到這本《歲時紀》，他透過手記體回到純淨的初衷。對他而言「沒有理想國度，不會有烏托邦，只有在文學書寫過程中，始能編織一方淨土。」
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