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本书根据诗学理论的基本方法和观念，分析"影像诗学"产生的社会原因和学术理由，提出"影像诗学"的基本定义，初步建立"影像诗学"的概念逻辑体系，并探讨"影像诗学"可能涉及的研究领域，从本体论、价值论、方法论、范畴论、传播论、关系论、影响论等方面综合论证"影像诗学"的研究意义和学术合法性，从而初步形成"影像诗学"研究的学科理论结构和基本分析框架。
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