Crossing the Mirror Line, the stunning debut from Judith Willson, explores doubleness; the unsettling symmetries of mirrored reflections, the magician's disorientating art that 'makes nothing appear'. Artists' mannequins and watchful children stand at an angle to the familiar world; an estuary elides distinctions between land and sea. Like the eighteenth-century artists' landscape mirror that reconfigured the relationship between the viewer and what is viewed, these poems are concerned with looking, how it selects and transforms what is seen.