Taking a regional approach, Smethurst examines local expressions of the nascent Black Arts Movement, a movement distinctive in its geographical reach and diversity, while always keeping the frame of the larger movement in view. The Black Arts Movement, he argues, fundamentally changed American attitudes about the relationship between popular culture and "high" art and dramatically transformed the landscape of public funding for the arts.
- The University of North Carolina Press
- Publication Date:
- The John Hope Franklin in African American History and Culture
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James Smethurst (Author)
James Edward Smethurst is associate professor of Afro-American studies at the University of Massachusetts-Amherst. He is author of The New Red Negro: The Literary Left and African American Poetry, 1930-1946 and coeditor of Left of the Color Line: ...