The alarm and anxiety unleashed by the Great Recession found fascinating expression across popular culture. Harried survivors negotiated societal collapse in The Walking Dead. Middle-class whites crossed the literal and metaphorical Mexican border on Breaking Bad or coped with a lack of freedom among the marginalized on Orange Is the New Black. Camilla Fojas uses representations of people of color, the incarcerated, and trans/queers—vulnerable populations all—to work through the contradictions created by the economic crisis and its freefalling aftermath. Television, film, advertising, and media coverage of the crisis created a distinct kind of story about capitalism and the violence that supports it. Fojas shows how these pop culture moments reshaped social dynamics and people's economic sensibilities and connects the ways pop culture reflected economic devastation. She also examines how these artifacts illuminated parts of society usually kept off-screen or on the margins even as they defaulted to stories of white protagonists.| Cover Title Contents Acknowledgments Introduction. C.R.E.A.M.: Capitalism Ruins Everything around Me 1. Border Absurd: The End-Times and the End of the Line 2. Migrant Domestics and the Fictions of Imperial Capitalism 3. Zombie Capitalism: Night of the Living Debt 4. Queer Incarcerations 5. Sinkholes and Seismic Shifts: Ecological and Other Disasters 6. Imperial Ruins and Resurgence Afterword: Racial Capitalism Redux Notes Bibliography Index | "Fojas has done it again. With her trademark elegance of prose and sharp cutting cultural critique she slices through those thick layers of capitalist ideology that wrap all variety of popular cultural entertainment. From blue-ice meth to the zombie invasions, Fojas scrapes to the bone just how pop culture speaks to and against very real, everyday material concerns of twenty-first century trans-Pacific borderland denizens. Extraordinary! Exquisite! Edifying!"—Frederick Luis Aldama, author of The Cinema of Robert Rodriguez
"The range of this book is astonishing and Fojas does justice to complex theoretical concepts by showing how they help us understand the primary texts while not dumbing down the theory."—David Schmid, author of Natural Born Celebrities: Serial Killers in American Culture
"Powerful and inventive, offering a new way to think about zombie media as critiques of debt that are themselves too often unable to think their way of the global orders of racial capitalism against which they so anxiously rage." —American Quarterly
|Camilla Fojas teaches in media studies and American studies at the University of Virginia. Her books include Border Bandits: Hollywood on the Southern Frontier and Islands of Empire: Pop Culture and U.S. Power.