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本书将中国古代台坛分为二十大类进行叙述，从中可以看出台坛作为中国文化景观中的宝贵积淀所具有的中国文明起点、融合点、支撑点的特性，因之也成为风景名胜中的亮点、精彩点、聚焦点，也是中国历代人文景观的重点、制定点、辐射点。本书分类明确，叙述详尽，文字简略，具有较强的可读性及资料性，并把中国文化以台坛为线索贯穿起来，是一本知识性、趣味性、可读性、资料性较强的读物
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