本书以散曲的形式，抒写对古典名著《水浒传》的多方面思考和感悟，以古典的形式表达崭新的内容，颇具匠心。本书内容分三辑，分别对水浒人物、梁山起义、《后水浒传》故事加以评说，比较完整地体现了作者对《水浒传》及其续作的整体性认识，艺术地再现了完整的梁山泊起义故事。本书使用了现存大部分散曲曲牌，并创造性地应用十二宫调套数，表现手法多样，展示了散曲艺术形式的丰富多彩。本书为弘扬中华优秀传统文化作出了有益的探索。（In the form of Chinese verse (Sanqu), this book expresses various original thoughts and inspiration for the classical masterpiece Water Margin, exhibiting new age in a classical way. It consists of three volumes, comments on the Water Margin figures, the Liangshan Uprising and Post-Water Margin, presenting reader with an overall understanding of Water Margin and its sequel, and reproducing the story of the Liangshan Uprising in an artistic way. This book adopts most of the current Sanqu names and creatively applied the twelve modes of ancient Chinese music. It exhibits the diversified art forms of Sanqu with various techniques of expression. This book is a valuable exploration for promoting the fine traditions of Chinese culture.）