本书旨在考察朝向山水诗演进中诗类审美经验的变迁。无论是创作主体，还是诗歌文本所呈现的创作者应对外在世界的感性体验方式，从《古诗十九首》到玄言诗审美经验的变迁作为一个连续的运动过程，都生动而细致地演绎了中国古人的宇宙观、艺术观乃至行为选择对现实社会秩序的厌离、反动与超越。(This book aims to examine the change of poetry aesthetic experience in the evolution toward the landscape poetry. Whether creation subject or poetry text that shows perceptual experience of creators to external world, from Nineteen Old Poems to Metaphysical Poetry, the change of aesthetic experience as a continuous movement process, is vividly and in detail interprets the ancient Chinese cosmology, artistic value and behavior choice's disgusting, reactionary and surpassing to the current social order.)