Through careful readings of works by Ernest Hemingway, Ricardo Piglia, Thomas Pynchon, Don DeLillo, Jorge Luis Borges, Ishmael Reed, Jorge Volpi, Rigoberta Menchú, and Ángel Rama, Kelman demonstrates that conspiracy narratives bear witness to an illegitimate or "counterfeit" secret that cannot be fully recognized, understood, and controlled. Even though the secret is not authorized to speak, this "silence" is nevertheless precisely what gives the secret its force. Kelman goes on to suggest that all political statements – even those that do not seem "paranoid" – are constitutively illegitimate or counterfeit, since they always narrate this unresolved play of legitimacy between an official or authorized plot and an unofficial or unauthorized plot (a "complot"). In short, Counterfeit Politics argues that politics only takes place as "conspiracy theory."
- Bucknell University Press
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- Bucknell Studies in Latin American Literature and Theory
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David Kelman (Author)
David Kelman is assistant professor of English and Comparative Literature at California State University, Fullerton. He has published articles in New Vico Studies, CR: The New Centennial Review, Comparative Literature, Pynchon Notes, and Discourse...