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Deborah de Lille is an opera singer—in the least grand sense. Her future looks bleak ... until she lands a role with a small-town company. Tales of Hoffmann features 3 leading ladies. The cast is well-acquainted, and familiarity has bred contempt. Debbie is the outsider, and someone is hell-bent on driving her out. If she stays the course, will opening night mean "curtains" for Debbie?
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