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Leta E. Miller and Fredric Lieberman take readers into Harrison's rich world of cross-fertilization through an exploration of his outspoken stance on pacifism, gay rights, ecology, and respect for minorities—all major influences on his musical works. Though Harrison was sometimes accused by contemporaries of "cultural appropriation," Miller and Lieberman make it clear why musicians and scholars alike now laud him as an imaginative pioneer for his integration of Asian and Western musics. They also delve into Harrison's work in the development of the percussion ensemble, his use of found and invented instruments, and his explorations of alternative tuning systems. An accompanying compact disc of representative recordings allows readers to examine Harrison's compositions in further detail.
| Contents Acknowledgments 1. Prelude 2. Portrait: A Life in Music 3. Percussion Music and Instrument Building: More than Just Noise 4. Passion for Asia 5. Purely in Tune: Exploring Just Intonation Systems 6. Processes of Synthesis: Coherence and Variety 7. Politics and Society: Activist Art, Activist Arguments, Activist Acts 8. Peroration: System, Syncretism, and Style Notes Selected Works (with instrumentation, approximate timings, selected recordings, and publishers of the scores) For Further Reading Suggested Listening Compact Disc Contents Index |"A loving, but not uncritical, introduction to the man and his music."—TLS"Concise, well-written biography. . . . Recommended."—Choice
"Leta Miller and Fredric Lieberman have . . . created the ideal introduction to the composer and his music."—Music and Letters
|Leta E. Miller and Fredric Lieberman are professors of music at the University of California, Santa Cruz. They are coauthors of Composing a World: Lou Harrison, Musical Wayfarer