Sign up to save your library
With an OverDrive account, you can save your favorite libraries for at-a-glance information about availability. Find out more about OverDrive accounts.
Share
Find this title in Libby, the library reading app by OverDrive.
Search for a digital library with this title
Title found at these libraries:
| Library Name | Distance |
|---|---|
| Loading... |
Ira Sadoff's new volume of poems opens with a quotation from Rilke: "But because truly being here is so much; because everything here / apparently needs us, the fleeting world, which in some strange way / keeps calling us. . . ." The poetry collected here is a response to this call.
Rooted firmly in the "fleeting world," Sadoff's poems find epiphanies of meaning in unexpected and even unpleasant experiences and emotions. The poems in Barter delve deeply into the past, the personal past of regret, travel, love, divorce, and bereavement, as well as the global past of Beethoven, Vietnam, and the fall of communism. Each poem is offered up by Sadoff as a barter, something to be traded for a little more time, a little more understanding.
The poems in Barter comment on the power of culture to interject itself into our desire for an idealized self, the way our inner and outer lives lack correspondence, harmony, and integration. They also talk about commerce, the trading of bodies, the way we as a nation "use" and exchange and appropriate — and like Tolstoy's Ivan Ilyich, try to bargain with and evade the urgency of our time on earth.
In the poem "Self-Portrait with a Critic," Sadoff makes what could be a succinct statement of purpose: "And inside, let's not make it pretty, / let's save the off-rhyme and onomatopoeia / / for the concert hall, let's go to the wormy place / where the problematic stirs inside his head."
| Cover Title Page Acknowledgments Contents Part 1 The Soul Self-Portrait with Critic Did You Ever Get a Phone Call In the Old Days Nature Interim Report Kindertotenlieder Mahler In the Jewish Mystical Tradition Like Angels Fox Crossing a Field Nefarious Whatever It Is The Lethal Traumas Where We Lie Down in Heaven Long Island The Bangbus An Uplifting Story In the Emerald Isle Part 2 A Brief History of the Century What Kind of Man In Siena Jazz Back Then At the Frick At the Creek Club The Cold War The New Russia Iran/Iraq My Country The Ex-Husband Scenario Song I've Always Despised the Wetlands Honeymoon in Florence The Brightness Material I Forget Who Compared the Soul
Rooted firmly in the "fleeting world," Sadoff's poems find epiphanies of meaning in unexpected and even unpleasant experiences and emotions. The poems in Barter delve deeply into the past, the personal past of regret, travel, love, divorce, and bereavement, as well as the global past of Beethoven, Vietnam, and the fall of communism. Each poem is offered up by Sadoff as a barter, something to be traded for a little more time, a little more understanding.
The poems in Barter comment on the power of culture to interject itself into our desire for an idealized self, the way our inner and outer lives lack correspondence, harmony, and integration. They also talk about commerce, the trading of bodies, the way we as a nation "use" and exchange and appropriate — and like Tolstoy's Ivan Ilyich, try to bargain with and evade the urgency of our time on earth.
In the poem "Self-Portrait with a Critic," Sadoff makes what could be a succinct statement of purpose: "And inside, let's not make it pretty, / let's save the off-rhyme and onomatopoeia / / for the concert hall, let's go to the wormy place / where the problematic stirs inside his head."
| Cover Title Page Acknowledgments Contents Part 1 The Soul Self-Portrait with Critic Did You Ever Get a Phone Call In the Old Days Nature Interim Report Kindertotenlieder Mahler In the Jewish Mystical Tradition Like Angels Fox Crossing a Field Nefarious Whatever It Is The Lethal Traumas Where We Lie Down in Heaven Long Island The Bangbus An Uplifting Story In the Emerald Isle Part 2 A Brief History of the Century What Kind of Man In Siena Jazz Back Then At the Frick At the Creek Club The Cold War The New Russia Iran/Iraq My Country The Ex-Husband Scenario Song I've Always Despised the Wetlands Honeymoon in Florence The Brightness Material I Forget Who Compared the Soul
Share
