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Violent, sensual, and seemingly un-Japanese, the stories in Season of Violence nevertheless depict Japanese teenagers of the present in compulsive but often unconscious revolt against the moral codes of "old Japan." Yet these stories tell of youth who offer no real, modern morality to replace the old—only the anti-morality of indiscriminate sex, brutality, and living for today's pleasures and sensations. These are stories of teenagers who came to be known as Taiyozoku— the Sun Tribe.
Season of Violence won for its young author, Shintaro Ishihara, Japan's coveted Akutagawa Prize. Thus, Season of Violence is a good deal more than fast-moving, forcefully written fiction; it is vital social commentary on contemporary Japan which gives unexpected dimension to the traditional cardboard image of the Japanese student as somber, diligent, and obedient.
Ishihara's stories of Japanese who were born in the ashes of war and defeat and raised in the fast-moving world of the postwar boom are stark accounts of a period when the values of the past have been discarded for misguided materialism and pleasure-seeking.
Season of Violence won for its young author, Shintaro Ishihara, Japan's coveted Akutagawa Prize. Thus, Season of Violence is a good deal more than fast-moving, forcefully written fiction; it is vital social commentary on contemporary Japan which gives unexpected dimension to the traditional cardboard image of the Japanese student as somber, diligent, and obedient.
Ishihara's stories of Japanese who were born in the ashes of war and defeat and raised in the fast-moving world of the postwar boom are stark accounts of a period when the values of the past have been discarded for misguided materialism and pleasure-seeking.