Irish theatre in England has frequently illustrated the complex relations between two distinct cultures. How English reviewers and audiences interpret Irish plays is often decidedly different from how the plays were read in performance in Ireland. How certain Irish performers have chosen to be understood in Dublin is not necessarily how audiences in London have perceived their constructed stage personae. Though a collection by diverse authors, the twelve essays in this volume investigate these issues from a variety of perspectives that together chart the trajectory of Irish performance in England from the mid-nineteenth century till today.