Thunderbird Roads: A Novel of Sky and Cedar

Leah is sent to build a museum show about Thunderbird—and refuses to turn many Nations' teachings into one tidy myth. On the coast and inland through British Columbia toward Thunder Bay, she learns to make rooms instead of answers: a listening bench where public wind-names play, a river map that breathes with high-water posts, a copper tools wall that leads with verbs—hammered, edged, kept—and a canoe shown for the work it does, not the symbol it could be.

Elders and aunties set the pace. Youth engineers tune the loop. A hinge-mender oils the door; a soup-maker feeds the line; corrections are welcomed (mess becomes harm), and private stories stay in the houses they belong to. Weather moves through like a careful teacher. The door says four things: Welcome. Listen here first. Stories differ by place. Please look with patience.

Slow-burn and luminous, Thunderbird Roads is a novel about consent, plural truths, and the ordinary verbs that hold communities together—open, feed, correct, close. It honors many Nations of Turtle Island by staying specific, inviting readers to learn locally, and letting the work speak first. In the end, the answer is a posture anyone can practice: sit first, listen longer, leave the blanks blank.