Granville Davisson Hall's Daughter of the Elm is a stirring romantic novel set in the foothills and valleys of western Virginia in the years just before the American Civil War. Written with a nostalgic reverence for the region's natural beauty and cultural texture, the novel combines love, honor, and social tension in a landscape on the brink of transformation. The titular character, a strong and virtuous young woman named Elmira, becomes the emotional and moral center of a story that explores the divided loyalties, economic anxieties, and ideological currents running through Appalachian society in the antebellum era. Hall, a journalist and historian by trade, enriches the novel with finely drawn scenes of frontier life—church socials, log cabin hearths, mountain trails, and rural courts—offering readers an immersive sense of time and place. Themes of class, gender, and national identity weave through a narrative that is equal parts romance, regional history, and cultural preservation. While the novel reflects the literary conventions of its time, it also carries a subtle critique of the forces pulling the nation—and this part of Virginia—toward conflict and eventual division. Daughter of the Elm stands as a regional classic and a window into the sentiments and social structures of a borderland community soon to be irrevocably altered by war.