The fourth volume of A Song to Verona explores a season of physical and emotional healing, as the characters navigate the challenges of adapting to a new way of life while striving to meet rising expectations. New milestones are reached—but not without sacrifice, and the emotional cost proves deeper than anticipated.

Camila Findlay is no longer the same. The bandages are gone, along with the fear of speaking and the guilt that chained her to the past. In New York, by Liam's side, she begins to rebuild—body, mind, and soul—while the outside world watches, judges, and speculates. Gaia's Cry is gaining momentum, drawing attention from the media, fans, and an industry that doesn't always honor the essence of those it elevates. The songs grow louder, but so do the pressures. How much can they compromise before losing who they are?

Meanwhile, an echo rises from the other side of the world. In Kyiv, amid the turmoil shaking Europe in 2014, a rebellious musician is arrested live on air. The footage strikes a chord in Camila, who writes a song in his honor: A Voice in Kyiv. That song will cross borders and touch something neither of them could have foreseen. It is there that the name Maksym Lysenko appears for the first time. And with it, a new thread begins to weave its way into the story.

But at the heart of the storm remains her bond with Liam. Though strong, their relationship becomes a target for the press. The media won't forgive the fact that they fell in love as step-siblings. The Findlay family begins to unravel. Camila is hounded by cameras, twisted by headlines. And then the focus shifts: Romina, her mother, is cornered by journalists until she breaks. Her silence in response to a single, direct question—Who is Camila's father?—ignites a wave of suspicion and rumors that soon reach unexpected ears.

Between songs, interviews, therapy sessions, escapes and confessions, Camila faces her greatest crossroads yet: to live with the truth, no matter how much it hurts, or to keep carrying the inherited silences that were never hers to bear.

Meanwhile, in Verona, Paolo Sartori continues to grow—as a cyclist, a son, and a young man—unaware that his fate is already tied to a story he has yet to uncover. His rising popularity brings, for the first time, the bitter taste of media scrutiny. The fact that his mother is a prominent political figure, and that his team is sponsored by a rapidly growing brand, places him in a spotlight he never asked for.

But among podiums, interviews and relentless training, Paolo discovers something else: first love. The kind that doesn't need promises or speeches. The kind that's content with sharing an ice cream, a walk through the square, or a smile that lingers longer than any medal. It's a quiet, luminous love... just before the world begins to turn more complicated.

And in Kyiv, Maksym begins to ask questions—questions that, without knowing it, will lead him back to where everything once began.

This fourth volume of A Song to Verona marks a turning point. The voices that once stayed silent now sing, write, shout. Rebellion is no longer youthful—it's necessary. And among stage lights, fresh scars, and truths still waiting in the shadows, each character learns that freedom always comes at a cost.