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Peoples's analysis ranges from abolitionist and proslavery visual culture to Do the Right Thing to "Bed Intruder Song" and the cellphone video of Derrion Albert's murder. After identifying these moments, he considers how performances go viral in Black ways. He also thinks through the ways Black virality circulates ideas that materially affect Black life. As he shows, an interacting person's vulnerability to racialized gender and racialized sexuality knowledge inspires how they spread a performance. Non-iconic elements of viral moments reveal hard-to-find nuances of Black life while the artists and others represented in viral moments promote both collective and individual liberation by harnessing their visibility and audibility.
Rigorous and expansive, Goin' Viral uses Black virality as a new way to understand and frame Black performances.
|Introduction
Chapter 1. People Hear What They See: Branding Abolition and the Black Virality of Kneeling
Chapter 2. I Can't Live without My Radio: Black Viralities of Masculinity and Sound in Do the Right Thing
Chapter 3. Woman Wakes Up to Find Intruder in Her Bed: A Critical Discourse Analysis of a Rape Attempt Gone Viral
Chapter 4.
Coda. They Killing Him, Look: The Viral Afterlife of a Justice at Odds with a Liberation
Notes
Bibliography
Index
|"Brilliantly walks readers through a history and legacy of Black virality. Beginning with a deep reading of performance studies theory and literature, the author situates our present moment contextually, unpacking the importance of the viral sound and image on our understanding of and relationships to Blackness."—Catherine Knight Steele, author of Digital Black Feminism|Gabriel A. Peoples is an assistant professor of gender studies at Indiana University.