The cafes along the Seine are filled with stench, the Mona Lisa in the Louvre witnesses cannibalism, and the countdown to the end of human civilization has officially begun. The virus is not only a biological disaster, but also a mirror: reflecting the greed of capital, the hypocrisy of religion, and the cowardice of human nature. When Paris becomes a zombie nest and Venice becomes a gene altar, the survivors struggle in the gap between the mirror and reality, and gradually discover that the most terrifying thing is not the mutated flesh, but the collective madness after the fall of civilization. This is a doomsday fable about collapse and reconstruction. In the entropy increase of the virus, it explores whether the glimmer of human nature can reverse the dark laws of the universe.