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Read the trauma-inducing viral sensation as seen on Instagram, YouTube, and TikTok!
In this collection of short horror stories, Denise Gwen takes you to the dark side.
In The Greatest Actress of her Generation, after a humiliating audition, aspiring actress Paige Randolph encounters a strange man standing at a rigged table of chance. If she chooses the right tile, he'll make her the greatest actress of her generation . . . but it comes with a steep price. She wants to believe him, even though he gives off a creepy vibe, this smooth-talking con man with the weirdly long fingers and nails . . .
In Rosemary's Toddler, a comic horror story, we catch up with Rosemary and Guy Woodhouse, three years following the birth of their little devil. Guy's in Los Angeles and enjoying success as a rising film star, while Rosemary is left at home in New York—her choice, by the way—to raise their little hellion. Wouldn't you know it, Andrew John Woodhouse—aka, Son of Satan—has entered those trying toddler years. And when Rosemary isn't busy cleaning up the bloodbath from her son's latest escapade, she's sitting down with reporters who want to meet the lovely wife behind the movie star . . . plus their adorable cherub.
In S&H Green Stamps, we travel to the United States of the future. Insurance companies have been forced to dream up novel ways to address the overwhelming cost of providing healthcare to aging and elderly patients. In this grim caper, Ben learns just how nit-picky and exacting health insurance companies can be, especially when it comes to extended stay rehabs . . . let's put it this way. There is a limit to health care coverage.
And in A Good Christian Woman, Mrs. McClintok bears a tragedy in her heart. Many years earlier, when both she and Maryanne's Mamaw were young women in the seventies, her little boy drowned in the raging river that roars through Swan Falls.
But Mamaw's memory is foggy and she's vague about the details . . . As Maryanne investigates, she comes to realize that the truth is more sinister, and that tragedy can cut both ways.