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A retired baseball player finds himself fighting for his life in this “fantastically hopped-up thriller [with] a wrong-man plot worthy of Hitchcock” (Entertainment Weekly, Editor’s Choice).
“Wow! Brutal, visceral, violent, edgy, and brilliant.”—Harlan Coben
In development as a major motion picture starring Austin Butler and directed by Darren Aronofsky
Henry “call me Hank” Thompson used to play California baseball. Now he tends to a bar on Manhattan’s Lower East Side. When two Russians in tracksuits beat Hank to a pulp, he gets the clue: someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.
Within twenty-four hours, Hank is running over rooftops, playing hide-and-seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor. All because of some Russian hoods and a flat-out freakshow of goons. All because once, in another life, the only thing Hank wanted to steal was third base—without getting caught.
“Wow! Brutal, visceral, violent, edgy, and brilliant.”—Harlan Coben
In development as a major motion picture starring Austin Butler and directed by Darren Aronofsky
Henry “call me Hank” Thompson used to play California baseball. Now he tends to a bar on Manhattan’s Lower East Side. When two Russians in tracksuits beat Hank to a pulp, he gets the clue: someone wants something from him. He just doesn’t know what it is, where it is, or how to make them understand he doesn’t have it.
Within twenty-four hours, Hank is running over rooftops, playing hide-and-seek with the NYPD, riding the subway with a dead man at his side, and counting a whole lot of cash on a concrete floor. All because of some Russian hoods and a flat-out freakshow of goons. All because once, in another life, the only thing Hank wanted to steal was third base—without getting caught.