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這些詩，寫於十九到二十三歲，生活在兩座城市的雙重性孤獨的間隙。寫詩的無用與私語態令我著迷，可能也只是，女人錯失雨季的自圓其說。書寫作為一種與本我的對談和對時間迅即流逝的對抗，成為唯一可以擊破窒息感的石器。對月獨酌時的絮語亦如春日遲遲，暖陽當頭，霍地起了縠皺。都市裡的浮囂在隔了山海的層樓之上，也自有一種天真可愛。從寒冬而來的遺落了起點的悄然沉寂著的歲月遲遲的春日的熏紫的暮靄跋涉過凜與暗的無涯的碎石路我們在這樣的列車上相逢我們要去往何方 晦暗的光影的未央異樣靈敏的聽覺只餘下孤注一擲的逼狹的慰藉泡影一般相擁的暖意無數個此去經年無數個春日遲遲
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