Harbour Grids is a long poem in four parts that investigates ideas of community and belonging. Beginning as a meditation on the surface of New York Harbor, the poem radiates outward through issues of labour, location, history, belonging, and subjectivity. How do we experience our complex relations to the world we live in? Harbour Grids seeks to answer this question by combining the sonic texture and investigative poetics of Daphne Marlatt, the improvisatory spirit and ethical engagement of Fred Wah, the experimental attention to the structures of language of Nasser Hussain, and the dazzling sense of visual space of Jordan Abel.